In the end, photographs are objects. They have qualities — paper, coloration, moisture, processing technique, subject matter, and many others. In the beginning, one has to take a pile of them and just start organizing. This is especially true if during the collection process, there was no organizing principle, other than all photos go into a certain box labeled “photos.” It’s a process, or may be one once I have gone through everything on an initial pass. Here I’m talking about paper photographs.
Somehow I ended up with large quantities of photos, stacked one-on-one, placed together only by happenstance. Now I review them, one-by-one, to see where the journey leads. The immediate task is separating them into groups according to when they were taken. For example, there is a set of our young child getting a home permanent. They obviously go together in their own stack. Another stack is photographs I took when I lived in Mainz and from the travels around the area. It is a tall stack because I avoided thinking too much about them. They are easily grouped for later analysis. Going through them quickly is a necessary first step.
The hardest part of a review and sorting is to turn off memory while doing it. That was a stumbling block because I easily got distracted by memories evoked by the prints. I also felt I had to turn immediately to my autobiography and write about a set of photos. Now, one pile, one box, is sorted at a time. I group the objects together as they appear before me and as I recall how they went together.
Each pile could be a story in itself. To get through them, the stories need to be set on the sidetrack to be hooked up to the train later. Maybe it’s not optimal, yet it is a way to get from randomness to a better understanding of what I have available… and how each image might be used. This process will be about my personal cultural attributes, some of which I know, and some lie unawares in the conglomeration of personal cultural artifacts.
For now, I decided to make a weekly post about how my photography process evolves. The first one is here. Going forward, I will use the tag A Life of Photos. I hope readers will follow along.
It was hot and humid outdoors all day Tuesday. I managed a hike on the state park trail between thunderstorms. A little after 10 a.m. I drove across the lakes to the wholesale club to secure provisions. My usual three-pound can of generic Colombian coffee had increased to $20.99 from $13.99 the last time I stocked up, a 50 percent price increase. The tariff on Brazilian coffee goes into effect on August 1, after which it will cost even more. I did not replenish inventory at $20.99.
At the end of June, I replaced the whole house water filter. Yesterday I sat down to order a replacement and the new price was $20.19. In February I bought the exact same part for $13.40, a 51% increase in 5 months. I only get two of these per year but this increase and others like it will make household financial management more difficult. It is a preview of what life under the oligarchs will be like.
The garden has me distracted from work on my autobiography. There is so much produce to process, there seems little time for anything else. To preserve the harvest, immediate action is required, so writing is pushed back. In the annual cycle of my life, this is a feature, not a bug. Our lives would be the worse without the garden.
Hours in the kitchen enable my thinking about life and writing about it. I am certain I have at least one more book in me as the urge to write an autobiography has been with me as long as I can remember. At its core, writing autobiography is part of a life well lived. Once I finish and get a copyright, what then?
I envision creating a new document, using the first two books as a base, to which I add autobiographical information and stories. The published books will stand on their own as moments in time, yet my story will continue to evolve as long as I live. Part of it is finding aspects forgotten during the first telling. Part of it is recording new insights on the same stories already told. It will be a continuous work in progress that may never be published the same way again. It will be a never ending memoir.
There are other books I imagine publishing. The most obvious one is collections of my essays first published on this blog. There is enough here to make a book about local food. There is another about sustainability. While I’ll cover the coronavirus pandemic in part two of my autobiography, there is a much longer story to tell about its impacts on my life and on society more generally. That story is just being revealed. Whether I get to any of this is an open question.
For now, I continue to process fruit and vegetables so we’ll have something for our dinner plate long after the frost comes in October. As the harvest winds down, I’ll work again on my memoir. I still hope to finish the draft by the end of year holidays.
Our small family gathered around my writing table as I displayed a PowerPoint slide show of images downloaded from the Johnson County Democrats Hall of Fame event. Our purpose was to view the dozen images, yet also to consider my thousands of photographs with an eye toward using them for many purposes. Mainly, I like photography, and don’t want to leave the raw materials of a life behind in a disorderly fashion. I thought it prudent to get feedback on this project from other family members. This post springboards from our hour or so discussion while also considering the scope of the issue.
Using Photographs Now.
At 73 years I don’t have a lot of extra time to be looking at old photographs. The question that prompted our family discussion is what will happen to all the paper and digital photographs I collected in a lifetime when I am gone? So often I got hung up with that question it was difficult to live in the now and do something with them. There are plenty of things to do with old photographs in the here and now.
My use of photographs on this blog and on other social media platforms is straight forward. I take a photo of my morning coffee and post it with a brief message on BlueSky. When I take my daily walk I’m on the lookout for conditions that merit a photo and then post them either here or on BlueSky. If I attend a public event, I’m looking for a single image to use on this blog. This is what my quotidian life of photography has become. It is okay. The absence of posed photographs is noted and mostly, desired.
Photo displays could be added into current usage. For example, like the referenced slide show, I could create another set to be shown when we are next together. Likewise, it could be shared on Discord or another online sharing application. This would provide some motivation to both define projects in small bites, and to meet a deadline for producing a slideshow. Partly, this mimics the old film and print days when I got a packet of photos back from the drug store and wanted to share them with family and friends. It would also nudge me to find projects relevant to the audience. Social media has eroded interest in that type of viewing, yet with a little gumption it could easily be renewed and appreciated.
As I write my autobiography I post relevant photos on a magnetic white board. This is not a permanent shrine to my life and the people in it. It is a living thing from which I gain inspiration. Which photos are on it changes constantly. At some point they will be taken down and stored away in more permanent places. This type of photo display serves the specific purpose of kindling memories so I can do a better job writing about my life. Among the uses of photographs this is as valid as any of them.
I have limited interest in creating traditional photo albums. As the ones we have age, we should maintain them as appropriate. The rubber cement we used to affix prints to a page apparently doesn’t hold up over the decades. Maintaining those memories is important, although I’m not sure I would make another like them. Albums have been a medium for creative expression and that will likely continue to some degree if I find a topic.
Archival Review and Storage.
The state of my photographs is neglected. I have piles and envelopes with many different photos in them. There are multiple shoe boxes of photographs. There are a couple dozen photo albums. My digital photos are filed by date and it’s hard to tell what they are without looking. I also have photos stored in file folders related to projects. That’s not to mention those I’ve posted here or on social media. The goal of any project is to feel I’m giving due attention to images I captured: to neglect images less.
I decided to use the envelope method to store print photos that are similar in some respect. That is, groups of photos will be stored, and to some extent labeled, and placed in envelopes according to some criteria. For example, photos of certain friends might have their own envelope. It is important to write on the back of prints what the viewer is looking at. Also, why are certain photos grouped together. If I want to pass on stories to the millennial generation, this is one way of doing it. It is worth making time for the effort.
Likewise there is an archivist concern about taking care of photos in storage. In particular, how is print exposure to moisture being controlled? Is the cloud storage solution the right one for digital photographs? Which cloud storage is the best option?
Inevitably, these concerns lead to touching each photograph and doing something with it. To accommodate this, I feel it is important to set up a regular time each week to work on that. The current schedule is to work on photography each Tuesday for a couple of hours.
Making New Photographs.
Going forward, the goal is to save fewer photographs. If I take ten shots of a sunrise, I should keep only the best one, making the decision within an hour of taking a photograph. Not doing so is pure laziness. While it is easy to make multiple exposures, the goal is to find what Henri Cartier-Bresson called the “decisive moment.” From a photo production standpoint, using unposed, candid moments captured with a focus on composition and the “decisive moment” includes learning how to better frame an image, attention to lighting, and perhaps taking multiple shots, and then discarding the lessor quality images. One assumes we won’t return to the lesser images.
As far as printing digital images goes, there needs be a reason to do so. It can be to mail an image to the people in it, or in rare cases, pasting them into a photo album on a specific topic.
Like everything I do these days, managing photography is an ongoing discussion. Time with the potential inheritors of a collection of stuff just makes sense, and I’m glad we had the conversation.
~First in a series of posts about managing personal photographs
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