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Writing

The Great Sort – Part I

Evidence of the great sort.

I spent two hours rearranging poetry books in my stacks. I decided eight 23-inch shelves was enough poetry and some had to go. Now there is an eight-inch stack of poetry books awaiting disposition. Poetry measured in inches.

I rearranged the poetry so more in which I have interest rest at eye level. On top are the smaller-sized books and below that is the canon. You know, Chaucer, Shakespeare, Dante, Donne, Milton, Dryden, Pope, Wordsworth, Coleridge, Byron, Shelley, Keats, Swift, Browning, and Blake. The exception is Chaucer and Shakespeare’s plays are across the room because the poetry shelves weren’t tall enough.

The other exception, or rather objection to the canon, is where are the women? You know, Charlotte Smith, Felicia Hemens, Mary Robinson, Anna Laeticia Barbauld, and maybe others. They were largely erased by the male authors of the canon. I don’t own any of them or I’d fit them in.

Don’t get me started on an American canon. Somewhere in the 20th Century that broke down and can never be repaired.

This is my current life when I am not writing. Opening about 100 boxes of books and deciding which to keep and which to donate. Already I’ve taken a dozen boxes to the library’s used book sale. There will be more.

I used to stamp my name and address in every book I bought. My hands have been on books from every place I lived this month. Some of the fifty year old paper has changed. Books from the 19th century crumble in my hands. I took one old book to a used bookshop to consult about the damage. This is a practical task that should involve logic. It’s more emotional than expected.

There is material for multiple posts in this project. I have to wait and see what I get into before knowing what their subject will be. I hope you are along for the ride.

The all-male canon.

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