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Photos and Narrative

Farmer spreads manure while we were on maneuvers with the French Infantry Marines in Brittany, late 1970s. They keep the horse before the cart in Brittany. Photo by the author.

Three and a half years into retirement I’m not close to being finished culling belongings. It takes time, yet it’s more complicated than that. In particular, when I find a neglected packet of photographs, I can spend hours chasing memories close to whatever main event prompted me to take them. Moving to digital photography in 2007 hasn’t made it easier. If anything the number of photos multiplied each year because of the ease in taking them. Digital files mount up and I developed a special back up process so I don’t lose them. There are so many.

Everywhere I look in my archives, I find more photos all arranged in a hodge-podge manner. Once found, I remember taking most of them, yet how to tap them for pragmatic narrative is problematic. Each batch leads down a different rabbit hole.

I enjoy time spent with photographs yet need discipline in how I use my writing time, which sorting photos is. With the explosion of film photographs when I was a pre-teen, followed by digital in 2007, there are so many that simply looking at them is a huge task. There are six decades worth!

Luckily, Mother was keen on downsizing while living. Included in her belongings were many photos and she let me go through them, taking some prints, but mostly scanning them to files. That, too, was a massive undertaking. I got the images I wanted leaving the hard copies for my siblings.

When writing any book, the number of photos that can be included is small. I’m reading Rachel Maddow’s book Prequel and she used one or two images per chapter. That seemed like a lot. When I print my blog book each year, the photographs make the pages vibrant. They are a small subset of what’s available. I recently changed the size of them after recognizing the photo was as important as the text in many cases.

Sometimes I use a photograph as inspiration to write a paragraph or two without planning to include the snapshot in the book. A photograph can stir living memory from that mystical storage place in our brains. Often the narrative is better than the image. It focuses the reader’s attention on aspects of the story that drive narrative. Too many photos can get readers distracted from the narrative.

I have a short term project in my writing, but big picture I need to distill the boxes and crates of belongings to a usable number. I should pick photographs that advance a narrative, or record some specific moment in time. Seems like writing 101 and I’m only just arriving at this forking path.

Wish me luck.

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