After finishing Tim Berners-Lee’s new book, This is for Everyone: The Unfinished Story of the World Wide Web, I was inspired to use ChatGPT as an experiment. I typed in the following ask:
Write a 1,000 word essay about local food using the style and information on the website pauldeaton.com
Within seconds, the text below appeared. I honestly don’t know what to make of it. I can see why writers might use AI to help draft a chapter. This essay provides a perspective which I recognize, yet doubt I would come to through analog writing. (Is analog writing a thing?) There are faults which could be corrected. However, it is not wrong about me and what I write. I don’t plan to use the tool in my current project, yet it is very powerful when a person has a lot of words on the internet for the machine to read and digest. So, I don’t reject AI out of hand. I will cautiously take one step at a time and refrain from using it in finishing my autobiography… if I can. Like so many things on the internet, AI could be highly addictive, especially for a writer.
The rest of this post is verbatim what ChatGPT returned to my screen in a couple of seconds. Note the final question asked by the machine: “Would you like me to refine it?” A characteristic of AI is to enter a conversation with the human operator. In doing so, it learns more about me.
Below is an essay of about 1,000 words on the subject of local food, written in a style inspired by Paul Deaton’s Journey Home blog (and related posts). I try to echo his reflective tone, his mix of personal detail and philosophical reflection, and his attention to the seasons, the garden, and the kitchen.
Of Soil, Seasons, and Sustenance
In early morning light I walk through my garden plots, hands deep in cold earth, turning over soil that has held the memory of past seasons. The hoses lie coiled; the beds rest after summer’s rush. When I pause and look across my rows of tomatoes, garlic, beans, and leafy greens, I sense not just vegetables but time itself — time rooted, slow, generative.
This is what local food means to me: not simply food grown nearby, but food grown in place, over time, in conversation with weather, insects, soil, and the gardener’s own persistence. To eat locally is to internalize part of that conversation. It is to bring pieces of place — rain, sun, dirt — inside one’s bones.
Paul Deaton often writes of the kitchen garden as both laboratory and refuge. In those posts he describes the mundane tasks — turning compost, sowing seeds, cleaning up tomato vines — as acts of attention. The kitchen is not separate from the garden; it is its complement. In that sense, local food doesn’t stop at the fence line, but continues in the pot, the canner, the pantry jar. Journey Home+2Journey Home+2
The Kitchen as Local Food Stage
When I bring into the house the first ripe tomatoes, or the last garlic bulbs from the fall plot, the kitchen becomes a stage for place-based transformation. I peel, slice, simmer, strain, and jar — each act a small reenactment of the garden’s season. The moment when the steam rises from tomato pulp is a moment of alchemy: heat, time, and elemental ingredients turning into something new.
Deaton often describes his canning rhythms — “the food part of summer winding to a close,” or “the last batch of tomato sauce being water‑bath canned” — in quiet, observational prose. Journey Home+1 He lets us sense the boundary between high summer abundance and autumn’s preparation. I borrow that rhythm. My afternoons in September are measured out by jars of applesauce, bushels of apples, trimming garlic, and sealing my harvest for cold months ahead.
Cooking from local food isn’t always showy; it can be beans and cornbread in midwinter, the loaves made with local honey, greens wilted with garlic. Deaton reflects on cornbread and beans as a winter staple — simple, elemental, deeply tied to place. Journey Home In this way, local food reveals its best character not in a restaurant’s plating, but in the humble daily kitchen.
The Limits of Purism
One of Deaton’s recurring themes is that he is not a purist. He recognizes that food is a global network: seeds, seedlings, crop varieties, even herb species often originate elsewhere. “The seeds and seedlings come from elsewhere and not here,” he writes. Journey Home He also buys from grocery stores when local food doesn’t fill a need. His local food commitment is pragmatic: he uses local produce when it makes sense and does not punish himself when supply or variety fails.
I feel the same tension. I plant tomatoes and herbs from seed lines that may have come from distant catalogs. I may buy citrus or imported olive oil when I desire it. Yet each time I choose local, I am bending my habits toward place. The import becomes the exception, the local the norm. That shift is more meaningful than any exuberant purity.
The Social and Ethical Layers
Local food is never just about flavor or self‑sufficiency. It carries ethical weight: support for small farmers, resilience against long supply chains, connection to land, and engagement with community. Deaton engages these ideas in his reflections on SNAP (food assistance) cuts in Iowa, and how those cuts affect local food security. Journey Home For him, local food is one element in a larger food justice vision — but not a cure‑all.
In rural and semi‑rural places especially, local food systems depend on many hands: farmers, gardeners, home cooks, neighborhood buyers. Each weekend farmers market purchase is not just consumption, but a signal of value, a vote for sustainable practices, a thread in the local economy. Deaton captures this when he writes of the “local food Saturday” practice and how home cooks can sustain the system by shifting from passive consumption to deliberate purchasing. Journey Home
Moreover, local food faces real stresses: unpredictable weather, drought, pests, and the sheer labor it demands. Deaton often references risks — frost, hail, deer, insect pressure, soil variation — as part of the bargain for local food. Journey Home+1 Writing about spring apple blossoms, he says that a gardener must accept risk; soil, insects, weeds, and weather are adversaries one cannot fully control. Journey Home To grow locally is to live with uncertainty, to welcome failures alongside successes.
The Season’s Pulse and the Gardener’s Time
One of the most compelling dimensions of local food is the rhythm of seasons. Deaton’s posts frequently reference the shift from tomato season to apple season, from summer growth to autumn canning, from garlic planting to winter rest. Journey Home+2Journey Home+2 These transitions are not merely calendar markers; they are lived experience. The gardener’s year is cyclical, anchored in soil and solar altitude.
When the first frost is rumored, the gardener scrambles to harvest, to finish preserving, to plant garlic, to clear beds. Late summer’s leisurely abundance gives way to urgency. The quiet months that follow are a time of reflection, planning, seed catalogs, mending tools, imagining the next season. In that sense, local food is also a temporal discipline — a practice of waiting, hoping, recoiling, and renewing.
A Plate from Place
Let me imagine a meal drawn from local food in mid-October. I begin with a soup made from butternut squash, carrots from the late beds, onions cured in September, garlic cloves peeled by hand. The broth is made from vegetable scraps I saved, simmered slowly and strained. I stir in chopped greens from the day’s harvest (perhaps kale or collards), plus beans I dried earlier in the season. On the side, I slice a loaf of bread sweetened with small amounts of local honey; I drizzle olive oil lightly over the soup and sprinkle with fresh herbs grown in a protected bed or pot.
Nothing in that meal arrives by miracle. Each element carries a history: soil, sun, rain, human hands. The flavors may be modest, not shocking or exotic. But the meal is deeply rooted. To eat it is to commune with time and place.
Deaton would say that the dishes prepared are different every year, depending on yield, weather, soil, pests, and human chance. He writes: “Each iteration of a dish, prepared in a moment of time, has consequence in our lives.” Journey Home And indeed, the same set of ingredients in one year may taste quite different in another — the tomato sauce richer one season, thinner the next; the apple sauce yellower or more tart; the squash roasted or stewed.
Recipes and Remembrance
Deaton’s style often weaves together recipes and memory — a bowl of pear butter, the last tomato soup of the season, applesauce handed down in a red, hand‑written cookbook. Journey Home+1 In his writing, the recipe is not a static text but a memory enshrined. The act of cooking becomes a bridge between past and present, between table and memory.
In writing about local food, I am drawn to the same: memories of the first tomato, the smell of drying garlic, the sweetness of a just‑picked peach. I want, in essays, to tether my future eating to those memories — so that the next season, when I pick tomatoes or press apples, I carry forward not just horticultural knowledge, but emotional resonance.
Toward a Local Food Attitude
If local food is more than marketing, more than a label, then it is an attitude — a posture toward food, place, and time. That attitude says:
- I will pay attention to what grows well here, and plant accordingly.
- I will observe what fails, and adapt.
- I will put time into preservation, so that abundance extends.
- I will support local farmers by purchase or labor.
- I will, when necessary, balance pragmatism with place — buying something from afar when it adds meaning or variety.
- I will think of food systems not as abstractions but as networks of neighbors, soils, kitchens, and markets.
In the end, local food is not an ideal to reach but a practice to inhabit.
In closing, I return to my garden in the faint light of dawn. The air is cool, the soil damp. I lean over a row of lettuce and pick leaves for breakfast. Each leaf is small, tender, flavored by dew and morning. I wash them in a bowl, spin them dry, and dress them lightly. I take a bite. The flavor is subtle but rich, tied to place. The pulse of local food beats in that bite.
Paul Deaton’s writings do not prescribe a local food gospel — they invite you into a season, into a plot, into the kitchen, and ask you to see how your life might grow in relation to soil and sun. For those of us who garden, cook, and eat here, the local is not an abstraction. It is the everyday, the quotidian, the place we inhabit in taste and time.
May our gardens be generous, our kitchens lively, and our plates full of place.
If you like, I can polish this essay further, adjust tone, or tailor it to a particular region or audience. Would you like me to refine it?
Journey Home 
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