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Favorite Movies

Morning in Iowa.

Someone asked, “What is your favorite movie and why?”

I had to think. After considering some options I answered, “The Lion King because of the music.”

I’m not sure that was completely right.

I’m also not sure which movie was the last I saw on television or in a theater. In the time of the coronavirus I watch movies on my desktop computer, either from a disk or streaming. I do keep track of what I watch. The last was on line, Public Trust: The Fight for America’s Lands.

When our daughter visited in December 2014 we watched a video cassette recording of Christmas in Connecticut together, part of a series of “dinner and a movie” events we discontinued as a regular thing. In 2017 I watched The Brainwashing of My Dad from a disk on my desktop. It was a powerful story of a family where the father got caught up in right wing media hegemony to his detriment, and then came out of it — a happy ending. I also watched The Princess Bride (for the first time) on Amazon May 31, 2013. Too many cultural references to avoid it forever. Since 2012, I watched about 20 movies, not many.

When we talk about “favorite movies” what does that mean? For me it means films seen long ago, the memory of which persists. The Lion King fits that description and I would view it again. I’d listen to the CD of the soundtrack more. There are about a dozen movies that mean something to me.

Blade Runner: We saw this at a theater the first time Jacque and I did something together outside of work where we met.

Out of Africa: Because of the cinematography. It’s a gorgeous film and I don’t use the “g” word often.

The Conformist: Few films of that era stick with me the way this one does.

The Matrix: How could someone with a Cartesian outlook not love this movie?

In a Year of 13 Moons: I was obsessed with Rainer Werner Fassbinder the way he was obsessed with subjects and themes in this movie.

Lord of the Rings Trilogy: I recall my argument with Father Harasyn as a freshman in high school about whether J.R.R. Tolkien’s books were literature. I lost the argument and was not given credit for reading them. The movie is a faithful rendering of the book.

The 400 Blows: I was enamored of Francois Truffaut during graduate school. Not as much now, but still.

The Tree of Wooden Clogs: I could easily have been one of the peasants in this film. The cinematography of Ermanno Olmi was unlike anything I’d seen.

Apocalypse Now: The first film I saw in a theater after returning stateside from Germany. It alone launched an interest in movies that persisted for the following five or six years.

Patton: The go-to film for soldiers maneuvering in the Fulda Gap. We would show it on a film projector run by a diesel generator. I knew to carry several replacement bulbs for the projector when we left garrison.

The Sound of Music: Grandmother insisted our family see this together and she paid for the tickets. She would have been the Maria Rainer character if life had been kinder to her.

There are others yet few recent ones. As the holidays draw near, and we contemplate the events of 2020, there are worse things to do than consider things we love. Movies have been part of my life in society as they are for many.

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